Commitment ETF!

with regard to sustainability (since September 2010) – there were no role models for this, no funds, neither vocabulary nor clear demands

• Exclusively sea transports
• The 40-foot container as a dimensional and transport unit
• Each packaging material is used as often as possible, last as buffer material in the container
• No work for which museum conditions are required
• Making the most of daylight, economical lighting
• Only works that have already been realized are selected, in order not to encourage the worldwide (over)production pressure of art, therefore recontextualization of the works.
• Touring exhibition as a counterweight to the fast pace of the art market and to short-winded funding practices
• Exhibition period should not be less than the period of fundraising, three years
• One-time fee payment to all artists, indiscriminately
• Dialogue programs between art, science, NGOs and business in the exhibition to strengthen the aesthetic dimension of sustainability
• At each new exhibition site, the specifics of each artistic, scientific, and environmental activist expertise are integrated, thus changing with each new stop
• Contractual assurance that the artists’ works will always be built by the same technical team + a local team, for reasons of cost and transport, and because they entrust us with their works over such a long period of time.
• To expand the radius of art, places outside the narrow context of the exhibition are welcome