[et_pb_section fb_built=”1″ admin_label=”Key Visual ZNE!” _builder_version=”4.16″ background_enable_color=”off” background_color_gradient_direction=”90deg” background_color_gradient_start=”rgba(148,166,191,0.34)” background_color_gradient_end=”#f4f4f4″ background_enable_image=”off” background_blend=”multiply” module_alignment=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px|0|0px||true|false” saved_tabs=”all” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”100%” max_width=”2560px” module_alignment=”center” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/zur-nachahmung-empfohlen.de\/wp-content\/uploads\/2023\/03\/ZNE_banner-neu-1-scaled.jpg” title_text=”ETF!” align=”center” force_fullwidth=”on” src_tablet=”https:\/\/zur-nachahmung-empfohlen.de\/wp-content\/uploads\/2023\/03\/ZNE_banner-neu.jpg” src_phone=”https:\/\/zur-nachahmung-empfohlen.de\/wp-content\/uploads\/2023\/03\/ZNE_banner-neu.jpg” src_last_edited=”on|phone” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.20.0″ animation_direction=”left” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Key Visual ZNE!” _builder_version=”4.19.4″ background_color=”#FFFFFF” background_color_gradient_direction=”90deg” background_color_gradient_start=”rgba(148,166,191,0.34)” background_color_gradient_end=”#f4f4f4″ background_enable_image=”off” background_blend=”multiply” module_alignment=”center” custom_margin=”0px||0px||false|false” custom_padding=”3px|0|3px||true|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_row _builder_version=”4.19.4″ _module_preset=”default” custom_margin=”61px|auto||auto|false|false” custom_margin_tablet=”0px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text admin_label=”Title” _builder_version=”4.19.5″ text_font=”||||||||” text_font_size=”16px” header_font=”Source Sans Pro||||||||” header_text_color=”#333333″ header_font_size=”56px” header_2_font_size=”30px” header_2_line_height=”1.1em” header_3_text_color=”#666666″ header_3_font_size=”25px” header_3_line_height=”1.6em” header_4_font=”|600||on|||||” header_4_text_color=”#aabb00″ header_4_letter_spacing=”2px” header_4_line_height=”1.6em” width=”100%” custom_margin=”0px||0px||false|false” custom_margin_tablet=”||0px||false|false” custom_margin_phone=”||0px||false|false” custom_margin_last_edited=”on|desktop” custom_padding=”0px||0px||false|false” animation_direction=”right” header_font_size_tablet=”40px” header_font_size_phone=”” header_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n
19. Venue
02.09.2021 – 30.11.2021<\/p>\n
Museum on the Seam Jerusalem | Pyramida Art Center Haifa <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”60px|auto|45px|auto|false|false” custom_margin_tablet=”0px||||false|false” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.5″ _module_preset=”default” text_font_size=”16px” custom_margin=”||2px|||” custom_padding=”||0px|||” global_colors_info=”{}”]<\/p>\n Coming from Israel : Marc Aldinger \u2022 Ravi Agarwal \u2022 Jennifer Allora | Guillermo Calzadilla \u2022 Francis Al\u00ffs \u2022 Artist Collective SCHAUM \u2022 N\u00e9le Azevedo \u2022 Joseph Beuys \u2022 Richard Box \u2022 Jens Burde \u2022 Ines Doujak\u2022 Olafur Eliasson | Frederik Ottesen \u2022 Emine Ercihan \u2022 Enrico Freitag \u2022 Susanne Gabler \u2022 Dionisio Gonz\u00e1lez \u2022 Galerie f\u00fcr Landschaftskunst \u2022 Emiliano Godoy \u2022 Lola G\u00f6ller \u2022 Sonia Guggisberg \u2022 Swaantje G\u00fcntzel \u2022 Ilkka Halso \u2022 Hermann Josef Hack \u2022 Cornelia Hesse-Honegger \u2022 Vincent J.F. Huang \u2022 Edi Hirose \u2022 Alejandro Jaime \u2022 Folke K\u00f6bberling | Martin Kaltwasser \u2022 Christian Kuhtz \u2022 Christin Lahr \u2022 Antal Lakner \u2022 Jae Rhim Lee \u2022 Marlen Liebau | Marc Lingk \u2022 Till Leeser \u2022 Sarah Lewison \u2022 Rudolf zur Lippe \u2022 Renzo Martens \u2022 Ayumi Matsuzaka \u2022 Ma Yongfeng \u2022 Lucia Monge \u2022 Manish Nai \u2022 Eliana Otta \u2022 Shirley Paes Leme \u2022 Dan Peterman \u2022 Clement Price-Thomas \u2022 Alejandra Prieto \u2022 Rebecca Raue \u2022 Peter Reichenbach \u2022 Dodi Reifenberg \u2022 Pedro Reyes \u2022 Ariel Rojo \u2022 Gustavo Romano \u2022 Michael Saup \u2022 Michal Schmidt \u2022 Hannah Schneider \u2022 Ursula Schulz-Dornburg \u2022 Dina Shenhav \u2022 David Smithson \u2022 Robert Smithson \u2022 Jakub Szczesny \u2022 Maria Vedder \u2022 Wang Jiuliang \u2022 Natalia Wehler \u2022 Andreas Wegner \u2022 Xing Danwen \u2022 The Yes Men \u2022 Yang Shaobin \u2022 Zwischenbericht<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”3619″ fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” title_text_color=”#FFFFFF” caption_text_align=”left” background_layout=”dark” custom_margin=”||9px|||” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.24.2″ _module_preset=”default” custom_padding=”20px||8px|||” global_colors_info=”{}” locked=”off”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” module_alignment=”center” custom_padding=”3px|||||” saved_tabs=”all” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.2″ _module_preset=”default” header_2_font=”|600|||||||” header_2_text_color=”rgba(0,0,0,0.55)” custom_margin=”1px||23px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n [\/et_pb_text][modula_gallery gallery_select=”12889″ _builder_version=”4.24.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/modula_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.5″ _module_preset=”default” custom_padding=”5px||6px|||” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”4.19.4″ _module_preset=”default” module_alignment=”center” custom_padding=”3px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”rgba(0,0,0,0.22)” _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.19.4″ _module_preset=”default” header_2_font=”|600|||||||” header_2_text_color=”rgba(0,0,0,0.55)” custom_margin=”||23px|||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_accordion open_toggle_text_color=”#000000″ closed_toggle_text_color=”#aabb00″ _builder_version=”4.20.2″ _module_preset=”default” toggle_font=”|600|||||||” toggle_font_size=”16px” closed_toggle_font=”||||||||” global_colors_info=”{}”][et_pb_accordion_item title=”A journey between aesthetics and sustainability \u2013 Haifa News” open=”on” _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n 05.12.2021 , Tagit Klimor in Haifa News<\/p>\n \u00bbFollowing COP26, which took place in Glasgow last year, it seems that many countries are still procrastinating in promoting sustainable agendas. The conference was accompanied with demonstrations by young people around the world, who understand the catastrophic consequences of this complacency. Humanity continues to systematically destroy the environment. Globally, only 36% of the rainforests remain intact, and in Israel, which is particularly scarce in natural resources and green lands, we witness widespread fires every year. The international exhibition \u2018ETF! Examples To Follow! expeditions in aesthetics and sustainability\u2019 deals with the global climate crisis and tries to raise awareness and encourage a proactive approach. The exhibition was displayed in Jerusalem at the Museum on the Seam and at Pyramida, a center for contemporary art in Haifa. The exhibition examined key questions related to the environmental crisis around the topics of climate change, biodiversity at risk, deforestation, pollution, water resources and food shortages, as well as the impact of these changes on deprived communities around the world. The purpose of the exhibition was to raise awareness to the destructive consequences of our own actions and to encourage a sustainable lifestyle. The exhibition, curated by Adrienne Goehler, premiered in Berlin in 2010 and has been displayed across 27 countries. The exhibition features 70 leading artists from around the world, including Israel, emphasizing the universal and local ecological challenges we are facing. As an architect, artist and a lecturer, I have been engaging with environmental issues for many years, and I was honored to take part in this important exhibition. Two of my works have been selected, and it was a privilege having them displayed alongside prominent and well-respected artists such as Josef Beuys, Olafur Eliasson, Sigalit Landau, Jennifer Allora & Guillermo Calzadilla and many more. The sculpture Urban Siach was displayed at the Museum on the Seam and Depletion installation was displayed at Pyramida art center. […] Everyone has a role. In nature, every plant, shrub and tree, every animal – big or small – has an important role to play in maintaining ecological balance, enabling mutual existence. Thus, each and every one of us has an important role in setting an agenda that promotes and contributes to the preservation of the environment, for the future of generations to come. I do believe change is in our hands. The artist, Tagit Klimor, is a multidisciplinary architect, artist, a founding partner of Knafo Klimor Architects and Senior lecturer at the Faculty of Architecture and Town Planning at the Technion, Institute of Technology, Haifa, Israel.\u00ab<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Get out of the bubble %22Examples to follow! Expeditions between aesthetics and sustainability\u201c \u2013 Talking Art” _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n 06.09.2021 , Talking Art<\/p>\n \u00bbImmer wieder sind wir beeindruckt von den inspirierenden Aktivit\u00e4ten des Museum on the Seam in Jerusalem. Es ist so wichtig, mindestens ein solches Museum zu haben, das sich zum Ziel gesetzt hat, das Bewusstsein f\u00fcr brennende politische Themen zu sch\u00e4rfen, und erkannt hat, dass Kunst ein gro\u00dfartiges Serverwerkzeug ist, das als Sprachrohr f\u00fcr Ver\u00e4nderungen dienen kann. Die aktuelle Ausstellung ist eine Sammlung von Werken aus aller Welt, die die Ungerechtigkeiten und Torheiten in Bezug auf die \u201eKlimakrise\u201c und den Einfluss des Menschen auf Natur und \u00d6kologie aufdecken. Es ist nicht das erste Mal, dass im Museum eine Ausstellung zu diesem Thema gezeigt wird. Aber dieses Mal ist es eine Wanderausstellung, die erstmals 2010 in Berlin stattfand und auf der ganzen Welt gezeigt wurde, und einige der prominentesten Stimmen der zeitgen\u00f6ssischen internationalen Kunst einbezieht, die zu Ma\u00dfnahmen zur Verringerung unseres \u00f6kologischen Fu\u00dfabdrucks aufrufen. \u00ab<\/p>\n<\/div>\n<\/div>\n<\/div>\n [\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” module_alignment=”center” custom_padding=”3px||0px|||” saved_tabs=”all” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”rgba(0,0,0,0.22)” _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” module_alignment=”center” custom_padding=”3px||0px|||” saved_tabs=”all” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” link_text_color=”#aabb00″ header_2_font=”|600|||||||” header_2_text_color=”rgba(0,0,0,0.55)” custom_margin=”||-3px|||” global_colors_info=”{}”]<\/p>\n
<\/strong> Openings: Wednesday 01.09.2021, 7pm Museum on the Seam, <\/a>4 Heil Handassa St., Jerusalem, Israel
Thursday, 02.09.2021, 8pm, Pyramida, Contemporary Art Center<\/a>, Kibbutz Galuyot Street 26, Haifa, Isarel<\/p>\n
Tagit Klimor \u2022 Sigalit Landau \u2022 Dani Levy \u2022 Erez Nevi Pana \u2022 Gal Weinstein<\/p>\nArtists<\/h2>\n
Impressions<\/h2>\n
Press<\/h2>\n
A journey between aesthetics and sustainability<\/h2>\n
Get out of the bubble “Examples to follow! Expeditions between aesthetics and sustainability\u201c<\/h2>\n
In Cooperation with<\/h4>\n