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Afluentes y derivados (Affluents and derivatives)
3 paintings, 2013
Sgraffito on paper with crayon and polish, 70 x 100 cm<\/p>\n
F\u00f3sil del futuro (Fossil of the future)
Sculpture, 2014
dimensions variable<\/p>\n
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Afluentes y derivados (Affluents and derivatives) F\u00f3sil del futuro (Fossil of the future) [\/et_pb_text][et_pb_text _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Eliana Otta (*1981) lebt und arbeitet in Lima.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”5px|||||” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”rgba(0,0,0,0.5)” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px|||” custom_padding=”1px||1px|||” global_colors_info=”{}”][\/et_pb_divider][et_pb_post_nav in_same_term=”on” _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_post_nav][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Eliana Otta Afluentes y derivados F\u00f3sil del futuroAfluentes y derivados (Affluents and derivatives)3 paintings, 2013Sgraffito on paper with crayon and polish, 70 x 100 cm F\u00f3sil del futuro (Fossil of the future)Sculpture, 2014dimensions variable Afluentes y derivados (Affluents and derivatives)The images show the river Corrientes, which lies in the Peruvian jungle; a region of environmental […]<\/p>\n","protected":false},"author":1,"featured_media":3319,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[82,83],"project_tag":[],"class_list":["post-5345","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-all-artists","project_category-artists-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/5345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/comments?post=5345"}],"version-history":[{"count":3,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/5345\/revisions"}],"predecessor-version":[{"id":5348,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/5345\/revisions\/5348"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/media\/3319"}],"wp:attachment":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/media?parent=5345"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project_category?post=5345"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project_tag?post=5345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/strong>The images show the river Corrientes, which lies in the Peruvian jungle; a region of environmental conflicts due to the constant leakage of oil. Crayon, a derivative of the material, covers the color but can be removed, even if some remainings can not completely disappear.<\/p>\n
<\/strong>I pay attention to the gardeners who move around transporting their heavy tools in order to take care of the gardens belonging to the middle and high class. As the kings out there, they circumvent the infernal traffic of Lima, a city in the middle of the desert, suffocated by its emanations. Their bikes represent their job: a simple but important work, which adapts to its context overcoming hostility. I asked myself what would happen if they would be the lone survivors of some world-wide ecological crisis.<\/p>\nBiographie<\/h3>\n