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Installation | Jute bags, 2 posters, soil | Installation dimensions variable<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”3154,3152,3153,3151″ fullwidth=”on” _builder_version=”4.19.4″ _module_preset=”default” title_text_color=”#FFFFFF” caption_text_align=”left” background_layout=”dark” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_margin=”40px|auto|30px|auto|false|false” custom_margin_tablet=”30px||||false|false” custom_margin_phone=”30px||||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”0px|0px|0px|0px|true|true” border_color_all=”rgba(0,0,0,0.32)” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font_size=”16px” text_line_height=”1.8em” custom_margin=”||5px|||” custom_padding=”||9px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Ines Doujak’s work \u2013<\/span> a variant of her Documenta XI work “Hortus-Conclusus-Fiktion” \u2013<\/span> pleads passionately against the patenting of human and plant life by transnational corporations. Two large sacks filled with fertilizer represent the food base of the flora monopolized by corporations. Stuck into the sacks are demonstration signs with a stick and poster. In the combination of material, image, and textual information, the work remains curiously ambivalent. The thematic field is also a visual agricultural field; the genetic manipulation imagines a garden of earthly delights, where weeds prevail.<\/p>\n Text extract by Vitus Weh:<\/p>\n In 2007, the installation \u00bb<\/span>Siegesg\u00e4rten | Victory Gardens\u00ab<\/strong> by Ines Doujak was one of the most popular works of art at documenta 12 in Kassel. Doujak\u2019s large pot with plants, standing high on branches painted white, was always surrounded by people. A lot was noticeably wrong here: on the one hand the white branches that grew downwards like bleached bones, and on the other hand the \u00bbplants above\u00ab that were not flowers, but little bags of seeds with disturbing pictures and texts printed on them.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font_size=”16px” text_line_height=”1.8em” custom_margin=”||5px|||” custom_padding=”||9px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n Ines Doujak (1959 Klagenfurt, Austria) lives and works in Vienna, Austria.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” custom_padding=”2px|||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”5px|||||” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider color=”rgba(0,0,0,0.5)” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||0px|||” custom_padding=”1px||1px|||” global_colors_info=”{}”][\/et_pb_divider][et_pb_post_nav in_same_term=”on” _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_post_nav][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Ines Doujak Biopiracy, 2010 Installation | Jute bags, 2 posters, soil | Installation dimensions variableInes Doujak’s work \u2013 a variant of her Documenta XI work “Hortus-Conclusus-Fiktion” \u2013 pleads passionately against the patenting of human and plant life by transnational corporations. Two large sacks filled with fertilizer represent the food base of the flora monopolized by […]<\/p>\n","protected":false},"author":1,"featured_media":3154,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[82,83],"project_tag":[],"class_list":["post-4918","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-all-artists","project_category-artists-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/4918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/comments?post=4918"}],"version-history":[{"count":5,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/4918\/revisions"}],"predecessor-version":[{"id":8993,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/4918\/revisions\/8993"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/media\/3154"}],"wp:attachment":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/media?parent=4918"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project_category?post=4918"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project_tag?post=4918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Biography<\/h2>\n