{"id":4864,"date":"2023-01-21T17:54:41","date_gmt":"2023-01-21T16:54:41","guid":{"rendered":"https:\/\/zur-nachahmung-empfohlen.de\/project\/nele-azevedo\/"},"modified":"2023-05-11T14:09:56","modified_gmt":"2023-05-11T12:09:56","slug":"nele-azevedo","status":"publish","type":"project","link":"https:\/\/zur-nachahmung-empfohlen.de\/en\/project\/nele-azevedo\/","title":{"rendered":"N\u00e9le Azevedo"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Key Visual ZNE!&#8221; _builder_version=&#8221;4.16&#8243; background_enable_color=&#8221;off&#8221; background_color_gradient_direction=&#8221;90deg&#8221; background_color_gradient_start=&#8221;rgba(148,166,191,0.34)&#8221; background_color_gradient_end=&#8221;#f4f4f4&#8243; background_enable_image=&#8221;off&#8221; background_blend=&#8221;multiply&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px|0|0px||true|false&#8221; global_module=&#8221;4840&#8243; 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global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1>N\u00e9le Azevedo<\/h1>\n<h2>Minimum Monument, 2001 <span style=\"font-weight: 400;\">\u2013 2009 | 2014<\/span><\/h2>\n<p><span style=\"font-weight: 400;\"><span>Video<\/span> | 5:20 min.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;3143,3142,3141&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; title_text_color=&#8221;#FFFFFF&#8221; caption_text_align=&#8221;left&#8221; background_layout=&#8221;dark&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;40px|auto|30px|auto|false|false&#8221; custom_margin_tablet=&#8221;30px||||false|false&#8221; custom_margin_phone=&#8221;30px||||false|false&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;0px|0px|0px|0px|true|true&#8221; border_color_all=&#8221;rgba(0,0,0,0.32)&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.20.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; custom_padding=&#8221;||9px|||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>N\u00e9le Azevedo\u2019s <span style=\"font-weight: 400;\">\u00bb<\/span>Minimum Monument<span style=\"font-weight: 400;\">\u00ab<\/span> converses with the long tradition of monument: a landmark earmarked to perpetuate something in the urban space throughout History. <br \/>Nevertheless, N\u00e9le Azevedo inverts the direction of the inherent exaltation of that tradition and works on the register of the precariousness and the impermanence.The path implies the acceptance that the contemporary experience is partial and ephemeral and no longer everlasting. Traveling to numerous cities around the world, her minute statues of ice perform in the \u00bbexalted\u00ab urban spaces, instigating a sharp reflection about the tear and the finite that is the life time and the place of the individual within the crowd under the importance of History.<br \/>Her statues seem to be entities indifferent to the daily motion of people, to the ordinary appeal of urban advertising and worldly enchantment of the landscape. Therefore, in their cold integrity on refusing the world, those statues give the amazing impression of being more real than human beings to a certain extent. On one hand, human beings are not translucent so, against light, they snuff out. On the other hand, the statues, concentrated on their crystalline interior, continuously inflate a white and blurred cloud inside their bodies of ice like a spine that rises whereas their external shape is consumed. Would there be a better visual translation for the intangible idea of soul?<br \/>That is the matter beneath the artist\u2019s work: death as a ritual and mourning as transcendence, that is the possibility of continuation of life. There is the recovery of the notion of \u00bbmonument\u00ab which historic origin is connected to the sacred and funeral rituals\u2014tombs and temples. Her monuments are minimum though. So the movement that establishes the work concerns less to the necessity of perpetuating a collective memory than of the transient individual experience due to the pure presence in a non repeated moment as a sacrificial instant.<\/p>\n<p>Text: Guilherme Wisnik, Translation: Miriam Giovanardi<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2>Other material<\/h2>\n<p><a href=\"http:\/\/www.article.no\/en\/content\/artists\/2010\/nele-azevedo-br-0\" target=\"_blank\" rel=\"noopener\">N\u00e9le Azevedo bei Article | 10<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2>Biography<\/h2>\n<p>N\u00e9le Azevedo (*1950 Santos Dumont-MG, Brazil) lives and works in S\u00e3o Paulo, Brazil.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;2px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;5px|||||&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_divider color=&#8221;rgba(0,0,0,0.5)&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px|||&#8221; custom_padding=&#8221;1px||1px|||&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_post_nav in_same_term=&#8221;on&#8221; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_post_nav][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9le Azevedo Minimum Monument, 2001 \u2013 2009 | 2014 Video | 5:20 min.N\u00e9le Azevedo\u2019s \u00bbMinimum Monument\u00ab converses with the long tradition of monument: a landmark earmarked to perpetuate something in the urban space throughout History. Nevertheless, N\u00e9le Azevedo inverts the direction of the inherent exaltation of that tradition and works on the register of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3143,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[82,83],"project_tag":[],"class_list":["post-4864","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-all-artists","project_category-artists-2023"],"acf":[],"_links":{"self":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/4864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/comments?post=4864"}],"version-history":[{"count":10,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/4864\/revisions"}],"predecessor-version":[{"id":9053,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project\/4864\/revisions\/9053"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/media\/3143"}],"wp:attachment":[{"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/media?parent=4864"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project_category?post=4864"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/zur-nachahmung-empfohlen.de\/en\/wp-json\/wp\/v2\/project_tag?post=4864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}