{"id":4477,"date":"2023-03-01T22:26:48","date_gmt":"2023-03-01T21:26:48","guid":{"rendered":"https:\/\/zur-nachahmung-empfohlen.de\/home\/"},"modified":"2024-01-26T17:05:21","modified_gmt":"2024-01-26T16:05:21","slug":"home","status":"publish","type":"page","link":"https:\/\/zur-nachahmung-empfohlen.de\/en\/","title":{"rendered":"Home"},"content":{"rendered":"

[et_pb_section fb_built=”1″ admin_label=”Key Visual ZNE!” _builder_version=”4.20.0″ background_color=”#f4f4f4″ background_color_gradient_direction=”90deg” background_color_gradient_start=”rgba(148,166,191,0.34)” background_color_gradient_end=”#f4f4f4″ background_enable_image=”off” background_blend=”multiply” custom_margin=”0px||0px||false|false” custom_padding=”0px|0|0px||true|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/zur-nachahmung-empfohlen.de\/wp-content\/uploads\/2023\/03\/ZNE_Plakat-Finale-Berlin-2023-scaled.jpg” title_text=”ZNE Poster Final Berlin 2023″ align=”center” align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” _builder_version=”4.20.4″ width=”50%” custom_padding=”||45px||false|false” animation_direction=”left” border_radii=”on|6px|6px|6px|6px” box_shadow_style=”preset3″ box_shadow_vertical=”35px” box_shadow_blur=”70px” box_shadow_spread=”-35px” box_shadow_color=”rgba(0,0,0,0.6)” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.21.0″ _module_preset=”default” custom_padding=”32px||32px||true|false” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”0px|auto||auto|false|false” custom_margin_tablet=”||0px||false|false” custom_margin_phone=”||0px||false|false” custom_margin_last_edited=”on|tablet” custom_padding=”0px||2px||false|false” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text content_tablet=”<\/p>\n

Examples to follow! ETF!<\/h1>\n

expeditions\u00b9<\/span> explorations in aesthetics and sustainability<\/h2>\n

Bringing back the harvest home<\/h3>\n

” content_phone=”<\/p>\n

Examples to follow! ETF!<\/h1>\n

expeditions\u00b9<\/span> explorations in aesthetics and sustainability<\/h2>\n

Bringing back the harvest home<\/h3>\n

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Examples to follow!<\/h1>\n

expeditions<\/span>\u00b9 explorations in aesthetics and sustainability<\/h2>\n

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\u00b9 The exhibition started in 2010 with the title EXAMPLES TO FOLLOW! expeditions in aesthetics and sustainability. Sensitized through the civil discourse on the topic of colonialism, it became clear that ‘expeditions’ is a colonial concept. Therefore, instead of ‘expeditions’ we use ‘explorations’. The visibility of the change instead of deletion intends to make the thought process comprehensible.<\/span><\/strong><\/p>\n

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Exhibition project examples to follow! opens a new chapter in the debate about aesthetics and sustainability<\/span><\/h2>\n

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The exhibition examples to follow! ETF! explorations in aesthetics and sustainability have come to an end after their international tour in the Uferhallen in Berlin. For thirteen years, artists from all over the world have contributed to the debate about aesthetics and sustainability with their works in the exhibition, accompanied by impulses from science. With the foundation for an aesthetics and sustainability fund, a new chapter in the cooperation between art and science is to be opened.<\/span><\/span><\/strong><\/h3>\n

full press release<\/a><\/p>\n

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HOPE HOME ist ein Pilotprojekt fu\u0308r ein radikal anderes Bauen in der Ukraine; es will die
Verknu\u0308pfung hin zu einem breiten Kenntnis-, Disziplinen- und Geografien u\u0308bergreifenden
Netzwerk fu\u0308r den Einsatz nachwachsender Baustoffe<\/strong><\/a> m\u00f6glich machen.<\/a><\/p>\n

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Next steps
examples to follow go
HOPE HOME \u2022 \u041d\u0410\u0414\u0406\u042f<\/h2>\n

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The exhibition lives on in our digital walkthrough \u2013 follow us <\/b>\u2192 \u2217<\/strong><\/p>\n

Video Walkthrough
www.examplestofollow.info<\/a><\/b>
<\/b><\/h2>\n

Curtain Opening<\/a>
360\u00b0 Video Walkthrough
<\/a> Exhibition Map\u00a0<\/a><\/p>\n

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Events by ETF! \u2013 therefore we need a FAeS<\/h2>\n

[\/et_pb_text][et_pb_blog fullwidth=”off” posts_number=”16″ include_categories=”64,263,17″ show_author=”off” show_date=”off” show_categories=”off” show_pagination=”off” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_blog][et_pb_code _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|phone” admin_label=”Key Visual ZNE!” _builder_version=”4.20.0″ background_color=”#FFFFFF” background_color_gradient_direction=”90deg” background_color_gradient_start=”rgba(148,166,191,0.34)” background_color_gradient_end=”#f4f4f4″ background_enable_image=”off” background_blend=”multiply” module_alignment=”center” custom_margin=”0px||0px||false|false” custom_padding=”1px|0|71px||false|false” custom_padding_tablet=”50px||0px||false|false” custom_padding_phone=”40px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”70px|auto|0px|auto|false|false” custom_padding=”1px||40px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.4″ _module_preset=”default” text_font=”Nunito|600|||||||” text_font_size=”15px” header_font=”Source Sans Pro||||||||” header_text_color=”#333333″ header_font_size=”60px” header_3_text_color=”#666666″ header_3_font_size=”25px” header_3_line_height=”1.2em” header_4_font=”|600||on|||||” header_4_text_color=”#aabb00″ header_4_letter_spacing=”2px” header_4_line_height=”1.6em” header_5_line_height=”1.2em” width=”100%” module_alignment=”left” custom_margin=”||0px|||” custom_padding=”||20px||false|false” animation_direction=”right” header_font_size_tablet=”40px” header_font_size_phone=”40px” header_font_size_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

13 YEARS | 20 VENUES | 139 ARTISTS<\/strong><\/h2>\n

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Berlin<\/strong> 2010<\/a> | Gartow<\/strong> 2011<\/a> | Dessau<\/strong> 2011<\/a> | Ingolstadt, <\/strong>Pfaffenhofen,<\/strong> Neuburg <\/strong>2011<\/a> | Bremen<\/strong> 2011<\/a> | Hamburg <\/strong>2011<\/a> | Indien Mumbai<\/strong> 2012<\/a> | \u00c4thiopien Addis Abeba<\/strong> 2012<\/a> | China Peking<\/strong> 2012<\/a> | Brasilien Sao Paulo<\/strong> 2013<\/a> | Mexiko Puebla<\/strong> 2014<\/a> | Essen<\/strong> 2014<\/a> | Peru Lima<\/strong> 2015<\/a> | Freudenberg am Main<\/strong> 2016<\/a> | Schwerin,<\/strong> Rostock, <\/strong>Schloss Br\u00f6llin<\/strong> 2016<\/a> | Chile Valpara\u00edso<\/strong> 2017<\/a> | Bonn<\/strong> 2018<\/a> | Erfurt<\/strong> 2019<\/a> | Israel Jerusalem, Haifa<\/strong> 2021<\/a> | Berlin<\/strong> Uferhallen 2023<\/a><\/p>\n

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Ravi Agarwal<\/a> \u2022 Aziza Alaoui<\/span><\/a> \u2022 Marc Aldinger<\/a> \u2022 Jennifer Allora | Guillermo Calzadilla<\/a> \u2022 Marlene Almeida<\/span><\/a> \u2022 Francis Al\u00ffs<\/a> \u2022 Artist Collective SCHAUM<\/a> \u2022 N\u00e9le Azevedo<\/a> \u2022 Konstantin Bayer<\/span><\/a> \u2022 Joseph Beuys<\/a> \u2022 Richard Box<\/a> \u2022 David Brandst\u00e4tter<\/a> \u2022 Jens Burde<\/a> \u2022 Vania Caro Melo<\/span><\/a> \u2022 Yaacov Chefetz<\/a> \u2022 Colectivo Aninat-Swinburn<\/span><\/a> \u2022 Natascha de Cortillas<\/span><\/a> \u2022 Ines Doujak<\/a> \u2022 Madhusree Dutta<\/span><\/a> \u2022 Sabine und Christian Egelhaaf<\/span><\/a> \u2022 Olafur Eliasson | Frederik Ottesen<\/a> \u2022 Steven Emmanuel<\/span><\/a> \u2022 Emine Ercihan<\/a> \u2022 Enrico Freitag<\/a> \u2022 Adib Fricke<\/span><\/a> \u2022 Klaus Fritze<\/span><\/a> \u2022 Galerie f\u00fcr Landschaftskunst, Till Krause u.a.<\/a> \u2022 Susanne Gabler<\/a> \u2022 Gao Shiqiang<\/span><\/a> \u2022 Cornelia Genschow<\/span><\/a> \u2022 Emiliano Godoy<\/a> \u2022 Lola G\u00f6ller<\/a> \u2022 Dionisio Gonz\u00e1lez<\/a> \u2022 Nele-Marie Gr\u00e4ber<\/a> \u2022 Tue Greenfort<\/span><\/a> \u2022 Sonia Guggisberg<\/a> \u2022 Swaantje G\u00fcntzel<\/a> \u2022 Hermann Josef Hack<\/a> \u2022 Henrik H\u00e5kansson<\/span><\/a> \u2022 Ilkka Halso<\/a> \u2022 He Xiangyu<\/span><\/a> \u2022 Christine Henry<\/a> \u2022 Cornelia Hesse-Honegger<\/a> \u2022 Edi Hirose<\/a> \u2022 Klara Hobza<\/a> \u2022 Norbert H\u00f6pfer<\/a> \u2022 Vincent J.F. Huang<\/a> \u2022 Alejandro Jaime<\/a> \u2022 Anne Duk Hee Jordan<\/a> \u2022 Martin Kaltwasser<\/a> \u2022 Saori Kaneko | Richard Welz<\/span><\/a> \u2022 Christoph Keller<\/span><\/a> \u2022 Anneli Ketterer<\/span><\/a> \u2022 Tagit Klimor<\/span><\/a> \u2022 Folke K\u00f6bberling<\/a> \u2022 Folke K\u00f6bberling | Martin Kaltwasser<\/a> \u2022 James Kudo<\/span><\/a> \u2022 Christian Kuhtz<\/a> \u2022 Eugen Kunkel<\/span><\/a> \u2022 Christin Lahr<\/a> \u2022 Antal Lakner<\/a> \u2022 Sigalit Landau<\/a> \u2022 Jae Rhim Lee<\/a> \u2022 Till Leeser<\/a> \u2022 Dana Levy<\/a> \u2022 Sarah Lewison<\/a> \u2022 Marlen Liebau | Marc Lingk<\/a> \u2022 Gustavo Lipkau<\/span><\/a> \u2022 Rudolf zur Lippe<\/a> \u2022 Susanne Lorenz | Dr. Stephan Pflugmacher<\/span><\/a> \u2022 <\/a>Ma Yongfeng<\/a> \u2022 Marcus Maeder<\/a> \u2022 Petra Maitz<\/span><\/a> \u2022 Renzo Martens<\/a> \u2022 Ayumi Matsuzaka<\/a> \u2022 Vera Meyer<\/a> \u2022 MITKUNSTZENTRALE<\/a> \u2022 Ida M\u00f6ller | Renate U. Sch\u00fcrmeyer<\/span><\/a> \u2022 Lucia Monge<\/a> \u2022 Claudia M\u00fcller<\/span><\/a> \u2022 Guisela Munita<\/span><\/a> \u2022 Manish Nai<\/a> \u2022 Erez Nevi Pana<\/span><\/a> \u2022 Gerd Niem\u00f6ller<\/span><\/a> \u2022 Eliana Otta<\/a> \u2022 Shirley Paes Leme<\/a> \u2022 Heide Pawelzik<\/span><\/a> \u2022 Dan Peterman<\/a> \u2022 Nana Petzet<\/span><\/a> \u2022 Clement Price-Thomas<\/span><\/a> \u2022 Alejandra Prieto<\/a> \u2022 Jos\u00e9 De Quadros<\/span><\/a> \u2022 Vanessa Ramos-Velasquez<\/a> \u2022 Rebecca Raue<\/a> \u2022 Peter Reichenbach<\/span><\/a> \u2022 Dodi Reifenberg<\/a> \u2022 Pedro Reyes<\/a> \u2022 Ariel Rojo<\/a> \u2022 Gustavo Romano<\/a> \u2022 Miguel Rothschild<\/span><\/a> \u2022 Sharmila Samant<\/span><\/a> \u2022 Otmar Sattel<\/span><\/a> \u2022 Michael Saup<\/a> \u2022 Michal Schmidt<\/a> \u2022 Susanne Schmitt | Cornelia Ertl<\/a> \u2022 Hannah Schneider<\/a> \u2022 Ursula Schulz-Dornburg<\/a><\/span> \u2022 Linda Schumann | Tonia Schmitz<\/span><\/a><\/span> \u2022 Dina Shenhav<\/a> \u2022 Robert Smithson<\/a> \u2022 David Smithson<\/a> \u2022 Studio Lukas Feireiss und Tomorrow\u2019s Thoughts Today mit Luis Berr\u00edos-Negr\u00f3n<\/span><\/a> \u2022 Superflex<\/a> \u2022 Jakub Szczesny<\/a> \u2022 Roberto Uribe Castro<\/a> \u2022 Maria Vedder<\/a> \u2022 Wang Jiuliang<\/a> \u2022 Andreas Wegner<\/a> \u2022 Natalia Wehler<\/a> \u2022 Gal Weinstein<\/a> \u2022 Charlett Wenig | Johanna Hehemeyer-C\u00fcrten<\/a> \u2022 Gudrun F. Widlok<\/span><\/a> \u2022 Xing Danwen<\/a> \u2022 Xu Bing<\/a><\/span> \u2022 The Yes Men<\/a> \u2022 Yang Shaobin<\/a> \u2022 ZuhauseKraftwerk – Schwarmstrom<\/span><\/a> \u2022 Zwischenbericht<\/a><\/p>\n

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