Sun. 16.07.2023 | 12-24 Uhr

Foundation for the Fund Aesthetics and Sustainability – FAeS

The proceeds from the sale of works from the exhibition, which were made available by the artists for this purpose, will serve as a symbolic foundation for a first pilot project of the FAeS. Almost half of the exhibited works can be purchased on July 16, 2023 on the evening of the finissage.

Until July 16, 2023, the international traveling exhibition EXAMPLES TO FOLLOW FAeS! can be seen at the Uferhallen in Berlin-Wedding. Since 2010, when the exhibition began in Berlin, it has traveled internationally, been changed, expanded and updated. Currently, it shows 82 of a total of 139 artistic positions on major ecological issues of our time – in the interaction of art, science and invention. For thirteen years, artists from all over the world have contributed to the debate on aesthetics and sustainability with their works in the exhibition, accompanied by impulses from science. This future-oriented and insightful cooperation is to be consolidated through the establishment of a new funding instrument, the FAeSFund Aesthetics and Sustainability (FÄN). It is high time to act.

The interweaving of scientific and artistic research was the motivation for curator Adrienne Goehler to develop the concept of the Aesthetics and Sustainability Fund. The fundamental factor here was the realization that the current funding instruments do not allow for cross-disciplinary research and thus massively limit the innovative impact of the arts. Goehler conceived the exhibition EXAMPLES TO FOLLOW! to provide insight into how liquefaction and interweaving of disciplines enable sensory cognition. In the meantime, 195 protagonists from art and science are calling for such a transdisciplinary funding instrument.

On June 6, as part of the exhibition in Berlin, director and conceptual designer Anne Schneider, lawyer and visual artist Dr. Christine Fuchs, president of the Kulturpolitische Gesellschaft Dr. Tobias Knoblich, and scientist and artist Prof. Dr.-Ing. Vera Meyer discussed the necessity and feasibility of a FAeS.

Vera Meyer used her own research work to illustrate how the innovative power of her art was able to unfold when she combined it with her research on fungal metabolic potentials and gained completely new insights into it. She has headed the Chair of Molecular and Applied Microbiology at TU Berlin since 2011. Meanwhile, her inter- and transdisciplinary research projects combine natural and engineering sciences with art, design and architecture and create biobased scenarios for possible living and housing worlds of the future. She emphasized that, due to the complexity of current events, it is above all important to move from an “I” to a “we.” Because no one can understand this world alone anymore, she said, it is important to bring together as many people as possible with different perspectives. Complex theoretical relationships must be made tangible and thus understandable. “The challenges we face can only be penetrated through art,” says Vera Meyer.

Building on her dissertation entitled “Avantgarde und Erweiterter Kunstbegriff – Eine Aktualisierung des Kunst- und Werkbegriffs im Verfassungs- und Urheberecht” (Avant-garde and Extended Concept of Art – An Update of the Concept of Art and Works in Constitutional and Copyright Law), Dr. Christine Fuchs described a very strict to limited interpretation of artistic freedom and purpose in Germany. Due to the historically experienced appropriation and regimentation of the arts, potential effects of art are often interpreted here as a threat to artistic freedom. She pleads for an expansion of artistic freedom in order to be able to take up such impulses and bring them together with other areas, so that art can become reality.

Dr. Tobias Knoblich emphasized that it is the task of cultural policy to create the basis for this potential to unfold by providing resources in addition to existing instruments. Artists, whose work is characterized by horizontal connections between disciplines, should thus be enabled to act accordingly. He emphasized that from a cultural policy perspective there were no conclusive arguments against a FÄN. The immense potential of aesthetics as a moment of sensual cognition must be increasingly focused on, he said. This is where the Kulturpolitische Gesellschaft could come in.

In order to overcome existing barriers of responsibility, voices were raised in favor of so-called linkers who would intensify the exchange between business, science, civil society and art. Ideally, the structure and funding of the Fund for Aesthetics and Sustainability would already reflect the plurality that is to be made possible by it. Ideally, funds for the FÄN should not come from the culture department alone, but proportionately from the environment, culture, science and research departments.

As a first pilot project of the FAeS, prototypes for houses made of renewable raw materials are to be developed – as well as workshops designed to guide self-building in Ukraine and the earthquake regions in Syria and Turkey. In June, new connections between ecological building materials such as sheep’s wool, mushroom mycelium, hemp, clay and bark have already been explored and further developed in workshops between artists and scientists. Unimagined potentials are opening up for a sustainable construction industry – not least in reconstruction in war and disaster areas. The conventional construction industry accounts for 40 percent of the climate disaster; without a transformation of this sector through circular economy and renewable building materials, a sustainable future will not be possible.

At www.https://www.fonds-aesthetik-und-nachhaltigkeit.de/english-version-faes/ you will find detailed thoughts and 195 pleas from supporters from art, science and the in-between.

Further Information
www.z-n-e.info
www.fonds-aesthetik-und-nachhaltigkeit.de

Pressekontakt
Denhart v. Harling, segeband.pr, dh@segeband.de, +49 179 4963497

Insights to the exhibitions:

Fr. May 12, 5:30 p.m. – Leonore Leonardy, Leadership for Helsinki Theatre Academy

Sun. May 14, 2 p.m. – Guided tour Adrienne Goehler, with echo from colleagues Lena F. And Lena R.

Fr. May 26, 2 p.m. – guided tour Adrienne Goehler for class Folke Koebberling

Wed. May 31, 2 p.m. – guided tour Adrienne Goehler for class Christin Lahr

Sat. July 1, 5 p.m. – as part of the Cultural Summer Festival, guided tour by Adrienne Goehler

Su, 16. Juliy 14 pm – Tour by Adrienne Goehler and all …

Overview guided tours

Sunday, 16th of June from 12 pm – 24 am

Dear friends, supporters and lovers of ETF!

Celebrate both, the end & the kick-off with us

Dear friends, supporters and lovers of ETF!
These have been overwhelming weeks, what an impressive and impressed audience! Feeling richly blessed, we want to celebrate with you the end of this journey, enjoying its explorations over the past 13 years, with a total of 139 artists from 29 geographical origins trusted us with their works. Our common goal was and is to open up the debate between aesthetics and sustainability and to make it perceptible to the senses.

With the farewell to this one great chapter, we are opening a new one, equally great. The idea for a fund for aesthetics and sustainability emerged already at the very beginning of EXAMPLES TO FOLLOW! – the exhibition and meanwhile 195 protagonists from art and science increase the significance of such a fund and make it more visible.

EXAMPLES TO FOLLOW! goes Fund Aesthetics and Sustainability | ETF! FAeS

Aesthetics is all about expanding perception and knowledge through sensual-bodily experience. The aim is to strengthen the imagination, to support the speculative, to create analogies. The purpose of the FAeS is to create a further space of possibilities for expanding the artistic and scientific radius of action. The fundamental goal is to enable intervening in the great challenge of transformation, to realize corporations and to create time.

Based on the experiences of the exhibition, the intention is to create a pilot project that, with intensive further research into the renewable resources of mushroom, wool, hemp and bark, confronts the conventional climate-killing building sector – through new forms of artistic-scientific
intervention and cooperation.

Almost half of the artworks in the exhibition can be purchased during the finissage.The artists want to lay a symbolic foundation, as it is their work that shows that research in art is essential. The same applies to cooperation with the sciences, inventors, NGOs and the expansion of one‘s own artistic sphere of action through longer-lasting cooperative projects.

We will be pleased to see you becoming part of the new path through the purchase of works or donations. In doing so, you and your name will always be connected to the realization of FAeS.

With warm, not entirely blues-free greetings
Adrienne | Goehler

www.fonds-aesthetik-und-nachhaltigkeit.de
Circle of Cultures – Forum der Kulturen zu Fragen der Zeit e.V.
KONTO: 1247 8474 02 – IBAN: DE12 4306 0967 1247 8474 02

Thu. 07/13/2023 | 7:30 pm

An Exploration of Bark, Willow and Wool

Conversation between Natalija Miodragović, Architect, Cluster of Excellence Matters of Activity. Image Space Material , Dr. Michaela Eder, Materials Scientist, Research Group Leader at the Max Planck Institute of Colloids and Interfaces, Principal Investigator at the Cluster of Excellence Matters of Activity. Image Space Material and Johanna Hehemeyer-Cürten, artist ZNE!. Designer, PhD student Max Planck Institute of Colloids and Interfaces, Cluster of ExcellenceMatters of Activity. Image Space Material «

Moderated by Dr. Manuel Rivera | RIFS.

The talk will be in english only

Every Tue-Mi-Thu | from 5/15-12/7/2023; 6-6:30 p.m.

Solo/Duo – 30 MINUTES OF SOMETHING

Sample Pieces – Sample Stage – Shore Corner for …
Rehearsal pieces – rehearsal stage – Ufer-Corner for … sound, music, dance, poems, prose, monologue, etudes, insights, impressions, little things that want to get out, have to get out, try, discard, apéro, carte blanche, blind date, aperçu

On July 13 at the exhibition:

Starting at 2:30 p.m., the “Art and Science for Sustainable Development” group from the Research Institute for Sustainability – Helmholtz-Zentrum Potsdam will conduct its weekly jour fixe at the exhibition. Visitors are invited to join the discussion starting at 3:15 pm.

07.07.-09.07.2023 | 14-16hrs.

Berlin Creation*s Resumption

Zwischenbericht

The Panke at the Uferhallen inspired in 2010 at the very first exhibition of ZNE! “zwischenbericht” to develop a filter that enabled exhibition visitors:inside to draw water from the urban rivulet Panke and turn it into significantly purified water in just a few steps.

Due to the sustainable conception of the exhibition, the installations of »zwischenbericht« have changed over the last 12 years and brought more and more knowledge about the properties of water to light. They use an ancient cultural technique of filtering in four steps: for the dust, the water first runs through felt, then through pebbles, through sand and finally through carbon filters. The water clarifies recognizably with every step, that is recognizable for every woman and everyone. (https://naturenerds.de/wasseraufbereitung-outdoor/)

This installation is now to be resumed on the occasion of the last station, the findings are EXAMPLES TO FOLLOW and enable the workshop visitors (children and young people) to capture the landscape of the Berlin rock layers as a filter for our drinking water. The workshop participants are also invited to experience the extraordinary self-cleaning powers of water: the Panke sound in the water bucket makes the analogy between these properties of water and our memory comprehensible.

The aim of this workshop is an intensive examination of the topic of water shortage, with the resulting drought and the consequences in Berlin/Brandenburg within the last 3-5 years. Possible solutions for a transformation for dealing with water scarcity, the transition to everyday life with reduced water consumption are to be worked out and deepened in this workshop, children and young people are to be given knowledge about the properties of water in a practical way, they should have their own Develop a feeling for them and think in a context of current political and scientific discussions such as climate change, drought, fresh and salt water.

Registration: workshops@z-n-e.info

Wed. 05.07.2023 | 19:30 pm

Sustainability to follow: New Alliances

How does art react to climate change and the disappearance of biodiversity, and what alliances between the environment and art are conceivable?

Panel discussion with: Stefan Tidow | Staatssekretär im Bundesministerium für Umwelt und Verbraucherschutz, Amelie Deuflhard | Intendantin und künstlerische Leitung Kampnagel Hamburg, Swaantje Güntzel, Künstlerin ZNE! and Fellow RIFS, moderation Dr. Manuel Rivera | RIFS

Talk will be in german.

Wed. 05.07.2023 | 10.00 – ca. 14.30 h

School project

Franziska Pierwoss and Jana Engel

Thu. 29.06.2023 | 19.30 p.m.

Civil society alliance for finding ways out of the plastic crisis

Barbara Unmüßig discusses ways out of the plastic crisis with the artist Swaantje Güntzel, representatives from politics, science and the civil society alliance Exit Plastik.

The conversation bridges the gap between art and the political regulation of the production and consumption of plastic. The Global Plastics Agreement and the petrochemical industry will also be discussed. The panel thus leads from art at the end of the life cycle of plastic back to the beginning and discusses solutions that start at the very beginning.

Panelists:

• Swaantje Güntzel, artist ETF!
• Dr. Axel Borchmann, Officer for Marine Protection, Federal Ministry for the Environment, Nature Conservation, Nuclear Safety and Consumer Protection
• PD Dr. Oliver Schlaudt, Heisenberg Professor of Philosophy and Political Economy, Koblenz School of Social Design (HfGG)
• Janine Korduan, officer for circular economy at BUND and member of the alliance Exit Plastik
• Andy Gheorghiu, expert on climate and environmental protection and energy policy

Talk will be in german.